It is humbling to know this festival has been around for 18 years and it was the first time we ever attended. Here goes the FestPop Staff Writer’s detailed reminiscence of Primavera Sound 2018’s peak week.
I am not ashamed to admit I love mainstream music. According to my go-to music streaming platform, I listen to more than 158 music genres. That makes me a music lover with a decent spectrum to have a respectable opinion, doesn’t it? But before I give you my selection of best acts, let me give you some context.
Venue and Logistics
Forget about your typical festival in the middle of nowhere. Primavera Sound spreads across various venues from the city center to Parc del Forum. The latter is the main festival site that seems to be created explicitly for this purpose. Framed by peculiar bridges and next to the ocean, the open-aired venue resembles a vast fairground filled with food trucks, pop-up stores featuring small lounges, and stages distributed in a harmonious layout. This allowed for every crowd to have their space and avoid uncomfortable audio overlap from simultaneous performances. 
At the opposite (other) end of the field, across the bridge, we found Primavera Bits, house of dance-music specialists. There was a daytime beach stage for early risers (those uber-energetic enthusiasts who drag themselves on-site before 6 pm), and a sponsored club.
There has always been much criticism about it, but the reality is that Primavera Sound is a little more complete every year and every edition that passes. The festival security maintained its strict level from last year, but with an increased crew to service the many thousands of festival goers inside the fairground, and at doors. 2018 has been the year of gastronomy –high-end and popular gastronomy– with Primavera. Significant improvement when thinking about how unpleasant the culinary experiences were only a few years ago. Pizza, tacos, Asian food, and burgers made their way to keep the crowd going until odd hours in the morning. Prices were generally reasonable. Something that caught our attention was that attendees could bring their own food. This may seem silly, yet it could be crucial for people with strict diets. Extra points to production team on that!
With the only exception of a sudden cancellation by Migos on Friday, that led to a long performance from Spanish band Los Planetas, the itinerary was respected to a level of (almost) Swiss punctuality. Timing is crucial not only for the general audience but also to press and other staff who need to cover different acts happening all over the Parc.
Transportation
The biggest question on every festival-goers mind is likely about how they will get back to their bed. Everyone has heard the horror stories of waiting hours on hours through the shuttle and taxi lines. Although Parc del Forum is slightly out of the city center, the organizers did a great job getting the city Tram to run 24 hours from Thursday 31st to Sunday 3rd. This allowed attendees to leave the main festival ground for Primavera Sound to get back to Barcelona downtown with little hassle. A few night buses passed by the venue too. And, if this wasn’t enough, there were other mobility services such as e-scooters and bicycles parked near the entrance. Once again, Kudos to the production team.
The festival
Despite the big discounts offered to local youth, the crowd was very international and within the adult demographics (think the late 20s to late 30s). Glitter dominated the scene, but costumes and other colorful paraphernalia were missed.
Highlights
Day 1:
- Bjork – I asked a copious amount of people about her show as I only managed to catch the live streaming. As expected, I got mixed reviews. Some people claimed Björk delivered an artistically superior ensemble. Others said she was strange. Her geniality is out of this world and often misunderstood. Before she went on stage, there were strange crackling sounds from the speakers. It turned out to be the distorted sound of synthetic wing strokes from robotic insects. A manifest-kind of text prompted spectators to cherish the nature that we all are smashing with our lifestyle and ignorance. Bjork dived completely into gender symbols and femininity. She preached to her choir and seduced women in the audience who, for a moment, forgot about half of the world’s population. The show was high on visuals. It was fragile and powerful at the same time. There was a good shift between drum’n’base like drum samples and tracks without beat. It created a fragmented and nervous mood, combined with Bjork’s complaining vocal and the droplet-like sounds of the harp. It sounded like nature grieving and crying out its tears. The Icelandic artist was well tucked away in peculiar ways while wearing a mask depicting a grotesque hybrid between a bats head and, several sets of twisted lips. With her distinctive sound image, Bjork focused on her recent album Utopia (2017). In this album, she allegedly wrestles with her ex-husband and portrays a lot of frustration, inner struggle and the identity crisis she feels as a woman. This could be the reason that alienated some of the audience – it is a rather unknown album. Still, everyone agreed she was, as usual, unique and ethereal. Her show, without a doubt, stimulated the senses.
Day 2:
- Kyle Dixon & Michael Stein. For over an hour the audience was quietly sitting, mesmerized by the engaging electronic performance. The American duo achieved the impossible: phones were kept away the entire time. The venue may have helped since it was an intimate auditorium in the city. A standing ovation concluded a true emotional act from Stranger Things soundtracks producers.
- The National melodic and chill offering the crowd loved.
- Haim. Three siblings that stole the night and left people claiming for more with a fun and dynamic show.
Teischa at Primavera Night Pro
- Teischa. Aussie darling who attracted people to the intimate stage like bees to the beehive with her mermaid-like, or rather Adele like, voice. I am sure the Australian is the unexpected discovery of the year for many of us: extremely powerful voice coming out effortlessly from a delicate silhouette. S
he dominated the stage dedicated to emerging artists (Night Pro).
- Napoleon Gold, creator from Luxembourg who delivered a sonic cocktail of RnB, chill out, live drums and synthwave fusion – another nice discovery from Night Pro stage. His fellow countryman, Tyler the Creator, stole the show and even shared the scenario with ASAP Rocky at the main stage.
Day 3:
- Lykke Li. Her intransigently powerful vocal chords outweighing a slightly demure stage energy. Hearing my favorite club song live was a moment to remember. Tack, Sverige.
Likke Li stage at Primavera Sound 2018
- Lorde. Seeing New Zealand darling live made it to me. Her opening line ‘For the next hour and a half you are in my house and in my house we dance’ describes it all. Intimate, danceable, happy and melodramatic at the same time- what is not to love about her wild spirit?
- The Blaze and Lindstrom. Happiest way to wrap the festival dancing away.
Saturday was hands-down the primary (and most crowded) day of Primavera Sound 2018. I had high expectations about Arctic Monkeys. When time came, I was a little disappointed with their monotone show. It was a good one, fans loved it, yet it would have been more dynamic to include some all-time favorite singles in the repertoire. All in all, Primavera Sound offers a tasting menu of the global music scene and a fantastic platform for emerging artists.
My best advice: choose your tribe correctly and you will have a great time.
Krystel Bendahan, Sr. Editor Europe